The Children’s Book by A.S. Byatt is a huge, sprawling multi-family saga set in Britain at the end of the nineteenth century and into the early twentieth century. Olive Wellwood, a children’s author, lives with her husband Humphrey and their seven children (ages zero to 13 years) at Todefright – a huge mansion whose grounds edge the forest. Olive writes each child their own story – fairy tales which have no end.

They were like segmented worms, with hooks and eyes to fit onto the next moving and coiling section. Every closure of plot had to contain a new beginning. There were tributary plots, that joined the mainstream again, further on, further in. Olive plundered the children’s stories sometimes, for publishable situations, or people, or settings, but everyone understood that the magic persisted because it was hidden, because it was a shared secret. – from The Children’s Book, page 89 -

The stories Olive writes parallel reality. The secrets she alludes to also exist outside of the books, lurking in the dark corners of Todefright waiting to be discovered.

There are several other families which comprise Byatt’s ambitious novel. Benedict Fludd, a barely sane potter, hides his perverse fantasies about his two daughters, while Fludd’s wife escapes reality by sinking into a drug induced state of complacency. Humphrey’s brother Basil and German wife Katharina are raising the beautiful Griselda and rebel Charles (ages 11 and 14). Prosper Cain, a museum owner and widow, also has two children – the independent minded Julian (age 15) and conflicted Florence (age 12). Finally, there is Phillip who is found wandering in the basement of Cain’s museum and is taken in by Benedict Fludd when he realizes that Phillip is a budding artist (later, Phillip’s sister Elsie joins the cast).

Despite the sheer number of characters introduced, Byatt does an admirable job at developing them – giving them distinct personalities, strengths and weaknesses. I did stop reading early on in order to create a character chart, but found that by the time I got 100 pages into the novel, I no longer needed to refer to it. Later I found this terrific list of characters on Wikipedia.

Byatt uses the historical and political backdrop of the Women’s Suffrage movement in England, Socialism and the inside workings of the Fabian Society, and the build up to WWI to frame her novel which begins in 1895 and ends just after WWI in 1919. Byatt skillfully shows the transition from the Victorian Age to the Edwardian age.

It was a new time, not a young time. Skittishly, it cast off the moral anguish and human responsibility of the Victorian sages Lytton Strachey was preparing to mock. The rich acquired motor cars and telephones, chauffeurs and switchboard operators. The poor were a menacing phantom, to be helped charitably, or exterminated expeditiously. The sun shone, the summers broiled and were brilliant. The land, in places, was running with honey, cream, fruit fools, beer, champagne. – from The Children’s Book, page 431 -

During this time, the reader follows the lives of the children as they grow into young adults, make mistakes, search for their identities, go off to fight in the trenches, and begin their own families. Olive’s eldest children (Tom and Dorothy) take center stage as characters from the Wellwood family. Tom is Olive’s favorite child and is stuck in Olive’s fantastical world of boys without shadows and underground tunnels – he roves the woods and lives in a dreamworld. Dorothy wishes to be someone more than someone’s wife and sets her sights on becoming a doctor. One of my favorite Wellwood characters is Hedda, whose spunk and determination eventually leads her to becoming a Suffragette. The reader also comes to know Julian Cain well…a boy who early on recognizes he prefers the company of men to that of women and is not afraid to acknowledge his sexuality. I especially felt myself drawn to Imogen – the eldest Fludd daughter – who manages to escape her wretched father and make a life for herself.

At the turn of the century, the young were about to be adults, or some of them were, and the elders looked at the young, with their fresh skins and new graces and awkwardnesses with a mixture of tenderness, fear and desire. The young desired to be free of the adults, and at the same time were prepared to resent any hint that the adults might desire to be free of them. – from The Children’s Book, page 252 -

Interspersed throughout the novel are snatches of Olives stories which provide insight into the background of the characters…and the secrets. It seems every character has a secret: infidelity, sexual identity, incest, and political aspirations. As each secret is uncovered, another aspect of the characters is revealed – a bit like peeling off the layers of an onion.

In case you have not already figured it out, I loved this book. I loved its density. I loved the character development. I loved Byatt’s gorgeous use of language and the care she took in getting the historical details correct. I especially enjoyed the fairy tales and the theme of not growing up which weaves through the story (Byatt references Peter Pan in this novel and the idea of staying child-like forever is played out in the book). I found the historical background on the Women’s Suffrage movement in England to be fascinating…and yes, Byatt’s female characters are immersed in the drama and conflict of that time.

“It is a terrible thing to be a woman. You are told people like to look at you – as though you have a duty to be the object of … the object of … And then, afterwards, if you are rejected, if what you … thought you were worth …is after all not wanted … you are nothing.” – from The Children’s Book, page 357 -

They were troubled, as intelligent girls at the time were troubled, by the question of whether their need for knowledge and work in the world would in some sense denature them. Women worked, they knew, as milliners and typewriters, housekeepers and skivvies. They worked because they had no means, or were not pretty or rich enough to attract a man. - from The Children’s Book, page 358 -

This novel is so intricate and far-reaching, it is hard to do it justice in a review. This was my first experience with Byatt’s writing and it has made me eager to read more of her work. But, if you just read one novel this year, let it be The Children’s Book…a wholly satisfying and enjoyable read from start to finish.

Highly recommended.

Not only is The Arrival a moving expose of the immigrant experience, but it is a feast for the eyes. Shaun Tan’s art is detailed, magical and emotional. He captures the expressions and feelings of his characters with ease.

Because Tan never specifically identifies where the immigrant comes from and where he ends up, this story becomes one of the universal nature of what it means to arrive in a new country where language, culture, and geography are a puzzle to be figured out. Despite surreal architecture and environment, Tan creates a landscape that also feels historical.

I don’t read a lot of graphic novels, but it is books like this one which make me wonder why I don’t…although I would classify The Arrival as a cross between a child’s picture book and a graphic novel.

Shaun Tan was born in Australia and is the award winning illustrator of several children’s books.  The Arrival won the “Book of the Year” prize as part of the New South Wales Premier’s Literary Awards, and the Children’s Book Council of Australia “Picture Book of the Year” award in 2007. More about Tan can be found on Wikipedia or on the illustrator’s website.

I would eagerly read more books by Shaun Tan.

Highly recommended.

“Raven is the patron saint of the Tlingit. He’s responsible for bringing the sun and the moon and water and almost everything else, to the earth.” – from Raven Stole the Moon, page 24 of the ARC -

“Do you understand, Ferguson? Raven didn’t just give us the sun, moon, and stars. He had to steal them from someone else.”
“I don’t follow.”
“Stealing is an act of evil. But giving is an act of good. So was Raven good or evil?”
Ferguson felt a little dumb for having to be led to the answer.
“Both.”
“Both. Exactly. You now have a complete understanding of the Tlingit religion.” – from Raven Stole the Moon, page 46 of the ARC -

Jenna Rosen used to have a wonderful life – married to a man she loved, raising a little boy who meant the world to her. But a fateful trip to Thunder Bay, a lavish resort in Alaska, steals away everything. Bobby, Jenna’s five year old son dies in a drowning accident and Jenna feels responsible for his death. Her way of dealing with the guilt is to turn to alcohol and prescription drugs. Her husband, Robert, turns his grief to anger and directs it mostly at Jenna. Two years after Bobby’s death, Jenna  impulsively leaves Robert and boards a ferry from Seattle to a tiny town in Alaska where her grandmother once lived…looking for answers in  the cold and remote wilderness of Alaska.

Jenna’s journey for closure quickly becomes a terrifying ordeal where Jenna must not only sift through the legends and beliefs of her ancestors, but must face the devastation of her marriage.

On its surface, Raven Stole the Moon is a supernatural thriller which brings to life the Tlingit (pronounced Klink-it) legend of the Kushtaka – otter people who steal the souls of the dead. The Kushtaka are shape-shifters who can appear in whatever guise they desire to trick people into going with them. Jenna almost immediately encounters the Kushtaka upon her arrival in Alaska … and Stein amps up the tension and fear, successfully driving the story forward.

But to classify Raven Stole the Moon as just a thriller would be wrong. There are deeper issues embedded in the novel: how does a parent survive the loss of a child? And how does a marriage evolve or devolve in the aftermath of such an event? What role does religious faith play in recovery? How does someone forgive themselves for a tragedy for which they feel responsible? These questions resonate through the story. Jenna appears to have no religious faith until she discovers the religion of the Tlingit which puts her on a pathway to self-discovery and provides closure for the loss of her son. Her journey is not just a physical journey, it is a spiritual one.

As the sky regained its color and the birds awoke, Jenna stood naked before the world, wondering what was real and what was imagined, trying to fathom an absolute truth, a set of values assigned by some kind of higher being that she could live by, a belief system that would give her the answers she wanted and that she could depend on to survive more than a few thousand years. – from Raven Stole the Moon, page 227 of the ARC -

I read this novel in just under three days. The story pulled me in and made me want to continue reading to find the answers. I loved the German Shepherd who makes an appearance as Jenna’s spirit guide. I admit to being terrified at some of the scenes when Jenna was being pursued by the Kushtaka. That said, the writing is not perfect. At times the dialogue felt stilted and I longed for more development of some of the supporting characters. I did not always understand Jenna or her motivations.

Raven Stole the Moon is Garth Stein’s debut novel – released initially 13 years ago, it is now being re-released by Harper Collins after the success of his bestseller The Art of Racing in the Rain. I loved The Art of Racing in the Rain which I read last year (read my review). There are many differences between the two novels – perhaps most obvious the level of the writing. Stein has certainly grown as a writer in the 13 years between books. Despite some of the flaws in the prose, Raven Stole the Moon is still a worthwhile read, especially for those interested in Native American legend. The strengths of the book are its engaging storyline and the theme of recovery through spiritual awareness.

Enter to win a copy of this book by visiting THIS POST. Drawing to be held on March 11th.

FTC Disclosure: I received this book for review through Terra Communications.

Cassandra understood the media cycle well enough to know that Callie would disappear within a day or two, that she was a place-maker in the current story, the kind of footnote dredged up in the absence of new developments. Callie had been forgotten and would be forgotten again. Her child had been forgotten, left in this permanent limbo – not officially dead, not even officially missing, just unaccounted for, like an item on a manifest. A baby, an African-American boy, had vanished, with no explanation and yet no real urgency. His mother, almost certainly the person responsible, had defeated the authorities with silence. – from Life Sentences, page 12 -

Cassandra Fallows is casting around for her next book idea after having published two highly successful memoirs and one floundering novel, when an evening newscast brings up a name from her past. Calliope Jenkins had shared an elementary school classroom with Cassandra. She was later held for seven years in prison for refusing to reveal the whereabouts of her infant son…who is still missing and presumed dead. Now released from prison, Calliope provides the perfect backdrop for another memoir of sorts for Cassandra. Cassandra returns to her childhood home in Baltimore to try to get to the bottom of the mystery surrounding Calliope and her son, and ends up reconnecting with her old friends. What she discovers are buried secrets about her own life, and another perspective on what constitutes truth.

Laura Lippman takes her time in developing her characters in Life Sentences, switching back and forth from the past to the present, and giving the reader multiple perspectives of Cassandra’s life. Cassandra is not wholly likable (she has a tendency to go to bed with other women’s husbands and seems oblivious to how her literary portrayal of the people in her life might impact them) yet I found myself wanting to give her a chance at redemption. Part of the conflict in the novel is internal – that which lies within Cassandra herself. Although her goal was to write a book and not rethink her life, Cassandra ultimately is forced to deal with her own weaknesses, learn another way of seeing the world, and revisit her version of the truth.

Lippman apparently used to write straight forward mysteries and suspense novels, but in Life Sentences the mystery takes second stage to the deeper issues raised in the book. Using the historical backdrop of the civil rights movement in Baltimore and the assassination of Martin Luther King, Lippman explores the difficult subject of race relations. Cassandra’s unfaithful father leaves her mother to marry a black woman. Cassandra’s childhood friends are all black (she is white) and the division between them (and their later anger around Cassandra’s memoir) centers largely around unspoken race issues. One huge event in Cassandra’s life (when she is attacked by a group of white girls in her school) takes on a different meaning when seen outside of Cassandra’s narrow view and is explained from the viewpoint of a black friend who witnessed the attack but did nothing to stop it.

Another huge theme in the book is that of memory and perspective – how two people can experience the same thing and yet remember it differently. As Cassandra tries to mine her past for her next book, she discovers her memories about important events vary significantly from that of her friends.

Ultimately Lippman gets to the mystery and provides an answer for her readers, but she arrives there after a meandering journey through the lives of her central characters. And that is perhaps my only complaint with the novel – it moves a bit slowly at times. This is not a book a reader will plow through in one sitting. Despite this minor complaint, I can recommend Life Sentences to those readers who enjoy their mysteries character-driven vs. plot driven.

Please visit my TLC Book Tour post which includes a guest post by the author.

FTC Disclosure: This book was provided to me by the publisher for review on my blog.

I wake up earlier than the others, usually around 5 a.m., to perform the one household duty I have mastered. After posting the morning’s word, emptying the dishwasher, setting the table for the children’s breakfasts, and pouring the MultiGrain Cheerios or Froot Loops or Apple Jacks or Special K or Fruity  Pebbles, I prepare toast. I take out he butter to allow it to soften, and put three slices of Pepperidge Farm Hearty White in the toaster oven. Bubbies and I like plain buttered toast; Sammy prefers it with cinnamon, with the crusts cut off. When the bell rings, I shift the slices from the toaster to plates, and butter them.

Harris usually spends half the night in Bubbie’s little bed. When I go upstairs, around 6 a.m., Bubbies hesitates, but I give him a knowing look and he opens his arms to me. “Toast?” he says. - from Making Toast, page 17 of the ARC -

Roger Rosenblatt’s 38 year old daughter Amy – a pediatrician, wife and mother of three very young children – had a heart defect which went undiagnosed until it took her life, suddenly and unexpectedly, just weeks before Christmas in 2007. Rosenblatt and his wife Ginny responded in the only way they knew how – they packed up their things and rushed to Maryland to help their son-in-law Harris raise their grandchildren. Making Toast is Rosenblatt’s memoir of the weeks and months following Amy’s death as the family struggles to make sense of their loss while moving steadily through the daily events of a life which continues without her.

Written in a series of vignettes rather than a straight forward narration, the book is non-linear in nature. At first, I didn’t like this scattershot approach which seemed to keep emotion slightly distant. It felt disconnected to me. But, as I continued to read, the style began to make sense. For what is grief but memories of the brief slices of a life lived? What is recovery if not the simple act of getting up each day and sharing another person’s life? How do we see hope for the future except through the eyes of our children or grandchildren? For Rosenblatt, who clung to his anger against God and the fact that his only daughter had died from something which affects ‘less than two thousandths of one percent of the population,’ his one consolation was that he was doing what Amy would have him do – caring for her family.

Making Toast is heartbreaking, and yet its sadness is fleeting. I found myself laughing at the simple, every day moments which Rosenblatt shares. I found myself marveling at the depth of love that he and his wife had for not only their grandchildren, but Amy’s husband Harris. The human spirit is nothing but resilient in the face of tragedy – and yet it is still amazing to see it in practice.

Rosenblatt shares his grief without telling us outright that he is grieving. Time after time he declines to listen to Amy’s voice on a telephone answering machine, so when her recorded words show up in the narration toward the end of the book, we feel Rosenblatt’s pain. This is Rosenblatt’s style – to show us moments which transcend words.

Making Toast is about patience, love, faith (and the lack of it), grief, and the slow, torturous process of recovery. But perhaps it is mostly about what it means to be a family. Rosenblatt’s simple prose and his matter-of-fact presentation is surprisingly moving in the context of the story. It is a beautiful tribute to a daughter.

Highly recommended.

FTC Disclosure: This Advance Readers Copy was sent to me by the publisher for review on my blog.

Based on the novel by Clive Cussler, Sahara the movie was released in 2005. Starring Matthew McConaughey as Dirk Pitt and the exotic Penolope Cruz as Dr. Eva Rojas this is a fast paced adventure movie which requires the viewer to suspend reality. Dirk Pitt is the hero, a man who can fight off three armed men and survive without a scratch…and he is focused on finding a civil war battleship on the coast of Africa. He is joined by his sidekick Al (played by the very funny Steve Zahn). When Dirk rescues the lovely Dr. Eva Rojas as she is trying to uncover an illness which is killing off the locals, his search for the ship becomes more complicated. Suddenly the fate of the world’s water is at risk and only Dirk and his merry crew of misfits can save the day.

Believe it or not, this all works.

Exciting, humorous, and fun…my husband and I really enjoyed this escapist movie. And Matthew McConaughey was not too hard on the eyes either!

Visit the official site.

Watch the movie trailer.

Just in case you are wondering WHY I am reviewing a movie…this was one of the alternate media available for The Social Justice Challenge for the month of February. The theme for this month was water, and although Sahara was a bit of a stretch, it did fit the theme.

SPOILER ALERT!!!!

The mystery at the heart of this movie is why the locals are dropping dead. What Dirk and Dr. Rojas discover is that the government of Mali is burying chemical waste which is leaching into the underground water system and bleeding into the Niger River. Unchecked, the poisons are threatening not only the local water supplies, but the Atlantic Ocean as well! Pretty far fetched – but the point is a good one. We can’t simply bury our waste and expect our groundwater to stay pure.

I don’t diet. Ever. I hate the idea of measuring out portions, following rigid guidelines, and being limited to a specific number of calories per day. I also know all the statistics that show that diets don’t work over the long haul.

So, I was very happy to see that The Mayo Clinic Diet is not like other diets out there. The weight experts at the Mayo Clinic have put together a book which is not only colorful and easy to read, but makes losing weight more about lifestyle changes than about hard and fast dieting.

The book is separated into three distinct parts.

The first section is a two-week “jump start” program that requires little preparation but claims to help you lose 6-10 pounds in two weeks. Essentially it sets you up to add five healthy habits (including things like eating breakfast every morning, adding whole grains to your diet and eating healthy fats), getting rid of five unhealthy habits (such as not watching television while you eat and not eating in restaurants), and adopting five bonus habits (things like writing down your goals and keeping an activity log).

The second section is a healthy lifestyle section which is focused on the long-term lifestyle changes which will help you maintain your weight (or continue to lose at a slower rate). Things I liked about this part of the book included visual representations of food servings (so you don’t need to measure out serving sizes), and a list of calorie burning activities to add to your life.

The final section of the book covers things like determining YOUR healthy weight, understanding nutrition and weight control, and barriers to weight loss (including motivational issues). There are some simple recipes and menus included in this last section as well, as well as a great section on adapting recipes for healthier eating.

All sections include colorful, simple diagrams or photos, and easy to understand language. The book has an accompanying journal to track your progress and activity.

Readers who have struggled with weight loss, or who don’t want just another fad diet, will most likely find information in The Mayo Clinic Diet which will appeal to them. Some may find it almost too simplistic, but I see that as more of a strength of the book than a weakness.

Below is a recipe which I have permission to reprint here on my blog:

Morning Glory Muffins
By the weight-loss experts at Mayo Clinic and Donald Hensrud, M.D., M.P.H.
Authors of The Mayo Clinic Diet: Eat well. Enjoy life. Lose weight.

15 MINUTES PREPARATION TIME + 35 MINUTES COOKING TIME + MAKES 18 SMALL MUFFINS

1 c. all-purpose (plain) flour
1 c. whole-wheat flour
¾ c. sugar
2 tsp. baking soda
2 tsp. ground cinnamon
¼ tsp. salt
¾ c. egg substitute
½ c. vegetable oil
½ c. unsweetened applesauce
2 tsp. vanilla extract
2 c. chopped apples, unpeeled
½ c. raisins
¾ c. grated carrots
2 tbsp. chopped pecans

1. Preheat the oven to 350 F.

2. Line a muffin pan with paper or foil liners.

3. In a bowl, combine the flours, sugar, baking soda, cinnamon and salt. Whisk to blend evenly.

4. In a separate bowl, add egg substitute, oil, applesauce and vanilla. Stir in apples, raisins and carrots. Add to the flour mixture and blend just until moistened but still slightly lumpy.

5. Spoon the batter into muffin cups, filling each cup about 2/3 full. Sprinkle with chopped pecans and bake until springy to the touch, about 35 minutes.

6. Let cool for 5 minutes, then transfer the muffins to a wire rack and let cool completely. Serve.

The above is an excerpt from the book The Mayo Clinic Diet: Eat well. Enjoy life. Lose weight., by the weight-loss experts at Mayo Clinic and Donald Hensrud, M.D., M.P.H. The above excerpt is a digitally scanned reproduction of text from print. Although this excerpt has been proofread, occasional errors may appear due to the scanning process. Please refer to the finished book for accuracy.

Reprinted from The Mayo Clinic Diet, © 2010 Mayo Foundation for Medical Education and Research. Published by Good Books (www.GoodBooks.com). Used by permission. All rights reserved.

About Donald Hensrud, M.D.

Donald Hensrud, M.D., M.P.H., is chair of the Division of Preventive, Occupational, and Aerospace Medicine and a consultant in the Division of Endocrinology, Metabolism and Nutrition at Mayo Clinic, Rochester, Minn. He is also an associate professor of preventive medicine and nutrition at the College of Medicine, Mayo Clinic. A specialist in nutrition and weight management, Dr. Hensrud advises individuals on how to achieve and maintain a healthy weight. He conducts research in weight management, and he writes and lectures widely on nutrition-related topics. He helped publish two award-winning Mayo Clinic cookbooks.

About Mayo Clinic

Mayo Clinic is the first and largest integrated, not-for-profit group practice in the world. Doctors from every medical specialty work together to care for patients, joined by common systems and a philosophy that the needs of the patient come first. Over 3,600 physicians and scientists and 50,000 allied staff work at Mayo, which has sites in Rochester, Minn.; Jacksonville, Fla.; and Scottsdale/Phoenix, Ariz. Collectively, Mayo Clinic treats more than 500,000 patients a year.

For more than 100 years, millions of people from all walks of life have found answers at Mayo Clinic. Mayo Clinic works with many insurance companies, does not require a physician referral in most cases and is an in-network provider for millions of people.For more information, please visit www.goodbooks.com/mayoclinicdiet.

FTC Disclosure: This book was sent to me for review by the publisher.

“Good race,” someone says.

“Thank you,” I say, because it was a good race. It wasn’t fast – the scoreboard referee writes my time on the board as two minutes and thirty-six seconds, exactly two minutes slower than the leading time – but it was a good race. Really good. I see Lydia’s mom. She smiles at me. I look around. No Lydia. It doesn’t matter. After this race I am sure I will be able to make the Paralympic team, sure I can keep training and trying and getting back up until I actually get that uniform[...]

- from Just Don’t Fall, page 194 -

Josh Sundquist was only nine years old when he was diagnosed with Ewing’s Sarcoma – a rare type of cancer which typically attacks the bone. In Josh’s case, he was given only a 50% chance of survival. He underwent a year of chemotherapy, spending most of that time in a hospital, and eventually lost his left leg to the disease. But he survived.

Just Don’t Fall is Josh’s story beginning shortly before his cancer diagnosis up to the 2006 Olympics. It is an inspirational story – not because Josh survived cancer and a leg amputation, but because of who he is as a person and how he got there. Raised in a conservative, Christian home and home schooled until his freshman year of high school, Josh Sundquist was surrounded by parents and siblings who loved him and a community who stepped up and gave their support when the Sundquist family needed it. Even still, the challenges were huge – financial, emotional, and physical. Josh’s mother, Linda, later was diagnosed with an incurable form of Lymphoma and his brother Matt struggled to find his own place in the world after growing up in the shadow of Josh’s cancer. Josh struggled to feel accepted by his peers as he grew from small boy into young man. Despite these challenges, Josh Sundquist had a dream. He had always imagined himself as a well known athlete, and becoming a ski racer on the Paralympic Team was the goal he set his sights on. In 2006 he skied for the United States Paralympic Team in Turino, Italy – an amazing accomplishment and a testament to courage, heart and perseverance.

I read Just Don’t Fall over a few short days and found myself completely charmed by the honest, heartfelt prose of a kid who overcame the odds to follow his dream. Josh Sundquist is funny, endearing, and genuine. In his memoir, he captures the innocent voice of his childhood which then evolves into the awkwardness of adolescence and finally into the insight of a mature young man. Just Don’t Fall is not only a story about how an individual overcame obstacles to become an accomplished athlete…it is about a family and a community, and the impact on them all with the devastating diagnosis of cancer. It is also a story of faith and doubt, and how one comes to terms with the fears and traumas of life while still believing in a larger purpose.

Josh Sundquist writes from the heart, and in doing so he pulls his readers deeply into his life. You will find yourself laughing, crying and eventually celebrating his accomplishments.

Recommended reading for those who enjoy well-written, touching memoirs with a message.

Listen to a guest Vlog by the author here on Caribousmom.

Be eligible to win Just Don’t Fall by participating in Reading For A Cure (more information on the giveaway here).

FTC Disclosure: This book was provided to me by the publisher for review on my blog.

Hilary Mantel’s sprawling, Booker Prize winning novel Wolf Hall is set in England during the sixteenth century. Narrated by Thomas Cromwell, it is an intimate look into the life of King Henry VIII and the cast of historical figures who surrounded him. More importantly, it is an examination of the clash between the Roman Catholic Church and the royalty – a battle of wills and politics that turned deadly for many as King Henry sought to divorce Catherine of Aragon (who could not give him a male heir) and marry Anne Boleyn.

Since Christ did not induce his followers into earthly power, how can it be maintained that the princes of today derive their power from the Pope? In fact, all priests are subjects, as Christ left them. It is for the prince to govern the bodies of his citizens, to say who is married and who can marry, who is bastard and who legitimate. – from Wolf Hall, page 435 -

This tumultuous time in history was defined by the struggle between Catholic power and Protestant will; a time when players could change sides in an instant and the charge of treason meant certain death. The Protestant Reformation, headed by Martin Luther, plays a large part in Wolf Hall and leaves one to wonder which side Cromwell was really on. It is a complex and complicated history into which Mantel drops her characters. Readers who lack adequate knowledge about English history in the 1500’s  may find themselves lost in a sea of details and characters (many who share the same first name); and find themselves struggling to get through this densely written tome.

Mantel writes her novel in the present tense – an interesting choice for historical fiction, but one which I think worked to her advantage. She also picks the perfect protagonist to drive her story. Cromwell is an interesting historical character. In Mantel’s book, he is richly imagined…a man who is is able to sidle up to the King of England and play one man against another in order to ensure his place in history, while at the same time is a loving family man who grieves so much for his wife and two young children (who die from illness), that he never re-married. The stark contrast between empathetic father and manipulative, driven lawyer helps define the internal conflict of the novel.

It’s beautiful, he says, not wanting to spoil his pleasure. But next time, he thinks, take me with you. His hand skims the surface, rich and soft. The flaw in the weave hardly matters. A turkey carpet is not an oath. There are some people in this world who like everything squared up and precise, and there are those who will allow some drift at the margins. He is both these kinds of person. He would not allow, for example, a careless ambiguity in a lease, but instinct tells him that sometimes a contract need not be drawn too tight. – from Wolf Hall, page 187 -

But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man’s power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires. – from Wolf Hall, page 294 -

Another strength of Wolf Hall was Mantel’s sardonic sense of humor which comes through in pithy dialogue between the characters. Cromwell’s observations of Anne are priceless…and Mantel reveals the ridiculousness of some of the royalty, as well as the Church.

Despite this and her excellent characterization, Mantel chooses to use an ambiguous pronoun. Her use of “he” (to identify the narrator) instead of “I” consistently confused me. I often found myself going back to re-read a passage in order to understand who was now speaking or acting. Often the “he” in the sentence did not match the subject which made it all the more confusing. Mantel’s disregard for this grammatical “rule” took away from the story for me. I found myself often setting the book aside in frustration. I could not completely immerse myself in Cromwell’s complex world. I felt as though I were reading a book, rather than falling into a story.

I wanted to love this book. Passages where Mantel let her gifts as a writer shine, left me feeling that this book should have read better. I should have flown through it in record time, exclaiming at the scope of what I had read. Instead, I found myself relieved to have finally finished the book after nearly three weeks of slogging through its pages.

Many readers are raving about Wolf Hall…I suspect most of them had a good understanding of English medieval history and so could sort through the ambiguity of Mantel’s prose. Sadly, I am not one of them. Although I admire Mantel’s writing ability, I have to admit, I really did not enjoy this book. Mantel is apparently going to be publishing a sequel to Wolf Hall. I think I will skip it.

Some might like this book.

Don’t take my word for it…read other reviews:

• Books I Done Read
• Medieval Bookworm
• Asylum
• Boston Bibliophile
• Fantasy Book Critic
• The Literate Housewife
• Books For Breakfast
• Fleur Fisher Reads
• Punkadiddle
• Page 247
• Book Gazing
• Shelf Love
• Dovegrey Reader Scribbles
• Farm Lane Books
• Book Bath
• Savidge Reads
• Kevin From Canada
• Beautiful Screaming Lady
• Katrina’s Reads
• Book Lust
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Years ago I read Pack of Two: The Intricate Bond Between People and Dogs by Caroline Knapp which is a memoir about Knapp’s recovery from alcoholism and the dog that helped her through it. I remember at the time being unable to put the book down for long. Knapp wrote with an honesty and insight that pulled me into her world…and her relationship with her dog Lucille resonated with me.

Gail Caldwell was Knapp’s best friend. They were drawn together through their mutual love of dogs (in Caldwell’s case a Samoyed named Clementine), their similar battle with alcohol and a need that neither one knew they had at the time…to find a friend who would balance their own strengths and weaknesses.

Finding Caroline was like placing a personal ad for an imaginary friend, then having her show up at your door funnier and better than you had conceived. Apart, we had each been frightened drunks and aspiring writers and dog lovers; together we became a small corporation. - from the ARC of Let’s Take the Long Way Home, page 13 -

When later Knapp was diagnosed and quickly succumbed to metastatic lung cancer, Caldwell was faced with what seemed the impossible – to go forward with her life without her best friend at her side. Caldwell’s memoir encapsulates the years of friendship she shared with Knapp – the long walks with their dogs, the hours of rowing on the Charles River in Boston, the late night phone calls – and the grief Caldwell waded through when Knapp died. But it is also a story about the importance of friendship in our lives, the depth of love we have for others (people and animals alike), and the risk of loss when we decide to love another.

Caldwell’s prose is wise and elegant. The passages she shares about her relationship with Clementine made me laugh and cry. When she wrote about bringing her puppy home for the first time, I felt my heart clench with memory of when I first brought Caribou into my life.

After the first sleep deprived  twenty-four hours of her invasion, I sat on the  back porch with her sprawled  asleep in my lap – she has white eyelashes! I thought – and tears started streaming down my face. I had had animals all my life, but never had my heart been seized with such unequivocal love. – from the ARC of Let’s Take the Long Way Home, page 37 -

I consumed this slim book in just over 24 hours, often with tears flooding my eyes. I could not seem to stop turning the pages even though dread sat on my shoulders. This was a tough book to read in many ways – sad and heartbreaking. But don’t let that stop you from reading it. It is also confirmation of the human spirit and our strength in the face of what feels like unbearable loss. We have all had loss in our lives – people who have been ripped from our lives before their time, spouses who have walked out on us, pets who have died – and it always feels insurmountable. Caldwell’s memoir is about surviving loss and moving forward; about embracing life; and about the special friendships that come into our lives when we least expect it but need them the most. This book is about taking risks of the heart and about discovering one’s inner strength.

Maybe this is the point: to embrace the core sadness of life without toppling headlong into it, or assuming it will define your days. The real trick is to let life, with all its ordinary missteps and regrets, be consistently more mysterious and alluring than its end. – from the ARC of Let’s Take the Long Way Home, page 180 -

Let’s Take the Long Way Home is a book which will stick with me. For those readers who are not afraid to open their hearts and immerse themselves in another person’s pain, but also their joy, this book is a must read.

Please note: Let’s Take the Long Way Home is due for release from Random House August 10, 2010 but can be pre-ordered now.

FTC Disclosure: I received this book as an Advance Readers Copy for review on my blog.